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Despite
efforts of missionaries and other bluenoses among the non-Hawaiian
population, the hula never became extinct although it faded
from public sight during the middle decades of the nineteenth
century. For a long time this authentic native dance form existed
underground, banished from the towns but still quietly and
surreptitiously performed among the rural people.
It
was performed as a form of religious rite to honor the gods and the
chiefs. It was usually dedicated to its patroness Laka, goddess of
the hula. The ancient Hawaiian dances were performed by both men
and women. The men's hulas were vigorous and forceful while those
of the women were more sensual and esthetic.
Early
missionaries disliked the hula they saw. The sight of scantily
clad women moving in rhythm to poetry offended their puritan ethics and
they made strenuous efforts to abolish this aspect of ancient Hawaiian
culture.
For
a time, the lovely hulas of Hawaii were in danger of disappearing
forever until the reign of King David Kalakaua. He was
particularly enthusiastic about reviving the hula in all its splendor
and joy. During his reign, professional hula troupes became
popular again and they meandered about entertaining people at luaus,
public occasions and the theater.
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